Start with the silver-tone metal: a bright silver-coloured metal finish rather than solid silver. It takes the form of a strand that sits at the wrist, and it belongs to Lhasa Moments, a series built around highland light, stone colour and architectural lines. The vajra appears as a crossed, symmetrical metal form. It is a recognisable Himalayan Buddhist shape, used here as a precise geometric centre point for the design. The mountain motif takes the form of a ridgeline silhouette. High ground recurs throughout this studio’s design language, and the profile is used here as a way of holding a landscape in mind rather than as a claim about where the piece was made.
Here is how each part of the piece behaves over time. Inside the piece, the silver-tone metal is a bright cool-toned metal finish, plated rather than solid silver. Handled often, the finish holds up well day to day, though a plated layer thins gradually where it rubs.
The piece lists four configurations, including “S 6.8 in”, “L 8 in” and “M 7.3 in”. Ask for extra photographs of the exact piece if any detail matters to your decision. Protection is presented as cultural context and a personal reminder, not a guaranteed result. Each piece is finished by hand, so small differences in surface tone and texture between pieces are expected rather than a fault. Nothing is charged until the exact piece and its measurements have been confirmed with you in writing.
Care
Keep it away from water, perfume and abrasive cloths so the finish lasts longer. Take it off before swimming, bathing or washing up; prolonged water is the most common cause of avoidable wear. Store the piece separately so it does not scratch against harder jewellery.
A note on meaning
Symbols and materials may support reflection, memory or ritual. They are not medical treatment and do not guarantee wealth, protection, healing or any spiritual result.
