The silver-tone metal sets the tone: a bright silver-coloured metal finish rather than solid silver. The brass provides the counterweight, being a warm yellow metal with a slightly duller, more golden surface than copper. The form is a hanging piece that sits at the collarbone, and it belongs to Lhasa Moments, a series built around highland light, stone colour and architectural lines.
Each material behaves differently, so it is worth knowing how the parts age before you choose. The silver-tone metal is a bright cool-toned metal finish, plated rather than solid silver. Worn regularly, the finish holds up well day to day, though a plated layer thins gradually where it rubs. Brass — a warm yellow metal, softer in colour than copper and slightly less reflective. Day to day, it darkens with use, and in humid air it can take on a green film that wipes away easily.
The fit is set from the measurement you supply, so nothing is assumed. If two options are close, say how you plan to wear the piece and we will say which one suits it better. Remembrance is a personal association, and the piece makes no claim beyond it. The finish is worked by hand, and a patina or a matte surface will not repeat identically from one piece to the next. The piece, its dimensions and the preparation window are set out in writing first, and only then is payment taken.
Care
Keep it away from water, perfume and abrasive cloths so the finish lasts longer. Wipe it dry after wear; a soft cloth restores the shine, and any intentional antique finish should be left alone. Water, perfume and cleaning products are the three things most likely to shorten its life. Keep it out of a damp room and separate from harder pieces, and the finish will hold far longer.
A note on meaning
Symbols and materials may support reflection, memory or ritual. They are not medical treatment and do not guarantee wealth, protection, healing or any spiritual result.
